Category Archives: MA-301fet

Miles Mosley Trio

Miles Mosley is an upright bassist, vocalist, producer, composer and arranger.

Peter Doell Recording Miles Mosley Trio
Peter Doell Recording Miles Mosley Trio

As a teen, Mosley won the Los Angeles Music Center’s Spotlight Award; was selected to play bass for the 1996 Grammy All-American High School Jazz Band & Choir; and was acclaimed as a “technical virtuoso” by Los Angeles Times jazz critic, Don Heckman. He received his classical training at the Colburn School of Music in Los Angeles, had numerous years of study with jazz bass legends John Clayton, Ray Brown, and Al McKibbon, and received his undergraduate degree in music at UCLA. Since then Mosley has greatly expanded his repertoire, mastering the bass and a vast array of instruments, deftly blending Jazz with Rock, Pop, Funk, and R&B.

Miles Mosley on Upright Bass
Tony Austin on Drums
Cameron Graves on Piano

Recorded by Dusty Wakeman and Pete Doell

Microphones used:

MA-300, R-122V on upright bass
MA-300, SF-24 on overheads
MA-301fet on bass drum
MA-101fet on snare drum
Two MA-300, one R-122V on piano

Miles Mosley Trio – Planetary Princess


Miles Mosley Trio – Isle Of Love


Miles Mosley Trio – The Comeback

Folk Alliance Toronto 2013

In February 2013, we set up the first ever ‘Royer Labs – Mojave Audio Pop Up Studio’ at Folk Alliance International 2013 in Toronto. With the help of our friends at HHB Canada, we set up a studio in a hotel room and recorded 45 sessions in three days!
The folks at Auralex sent us a couple of boxes of their fine products to help with the room acoustics. For front end we used various Universal Audio products: LA-610, 4-710 and the new Apollo (great box!).

Engineers: Dave Misener, Brian Hogue, Shahab Mobasher, Paul Talbott and Dusty Wakeman.

Special thanks to Dave Dysart (HHB Canada), the great staff at Folk Alliance and, most of all, all the great artists!

Jordie Lane “Diamond Ring”


Commmand Sisters


Steve Poltz “You Were Meant For Me”


Ranchers For Peace


Fraser Anderson


Gurf Morlix


Tony Furtado


Darlenya and 3 little birds


Hardin Burns


Parker Milsap


Amelia White

 

Melanie Brulee

 

Murchant

 

The Jessica Stuart Few

 

Shawna Caspi

 

Ronny Cox

Doug Pettibone – Acoustic Guitar Mic Comparisons

RECORDING ACOUSTIC GUITAR

We recently took all of our models into David Bianco’s studio – http://www.davesroom.net/ for a comprehensive audio/video session on recording acoustic guitars. We were lucky enough to catch our good friend Doug Pettibone (Lucinda Williams, John Mayer, Marianne Faithful) in between tours and recording sessions for long enough to play his Martin D-35 for us. We recorded in mono and stereo using both cardioid and omni capsules. We love all of our mics on acoustic guitar, but this will give you a good idea of each model’s personality – plus some tips on mic placement.

Mojave microphones excel at reproducing acoustic instruments, such as acoustic guitar. While positioning the microphone in front of the sound hole may look like the obvious place, the sound can be overly boomy and lacking in the upper harmonic content that the top of the guitar generates. A great place to start is pointing the mic at the junction of the body and the neck or at the twelfth fret. Another popular spot is pointing at the bridge or slightly behind. If you are doing a track that would benefit from the spread of the guitar in stereo, using both of these positions can yield a really big sound.

MA-300 Matched Pair (cardioid) on Acoustic Guitar

 

MA-301fet Matched Pair on Acoustic Guitar

 

MA-300 (cardioid pattern with high pass filter) on Acoustic Guitar

 

MA-301fet (cardioid pattern) on Acoustic Guitar

MA-301fet (cardioid pattern with high pass filter) on Acoustic Guitar

 

MA-100 (cadioid) on Acoustic Guitar

 

MA-100 (omni capsule) on Acoustic Guitar

 

MA-100SP on Acoustic Guitar

 

MA-101fet (cardioid) on Acoustic Guitar

MA-101fet (omni capsule) on Acoustic Guitar

MA-101SP on Acoustic Guitar

 

MA-300 and 2 MA-100s on Acoustic Guitar