Recorded by Mark Hornsby at Sweetwater Studios, Ft. Wayne, IN
Mixed by Randy Kohrs at Slack Key Studio, Nashville, TN
Vocals recorded on an MA-200 through a Universal Audio LA-610 Banjo recorded on two MA-200s through a Fred Forssell designed preamp with no compression or eq.
Taken from ‘The Bluegrass Diaries’ – his 2007 Grammy Award Winner for
Best Contemporary Bluegrass Album.
Produced by Randy Kohrs
She Ain’t Comin’ Back – Full Mix
She Ain’t Comin’ Back – Solo Vocal
RANDY KOHRS is the consummate music man – singer, songwriter, master resophonic guitarist, engineer, and producer. To date, he has played on over 500 CDs, ranging from legends such as Hank Thompson and Jerry Reed to current chart-topping artists including Dierks Bentley and The Wreckers – not to mention the countless bluegrass recordings he’s played on for such well-known acts as Larry Sparks, Rhonda Vincent, Mark Newton, Bradley Walker, Jim Lauderdale, Lou Reid, and 3 Fox Drive, to barely scratch the surface.
Randy produced, engineered, mixed and performed and sang harmony on Jim Lauderdale’s ‘The Bluegrass Diaries’ – 2008 Grammy Award winner for ‘Best Bluegrass Album’
“I normally use very little eq in final mix unless there is a problem. I never boost top end, only getting rid of ugly frequencies. If there is a problem, I usually rerecord the part correctly instead of messing around trying to get what I want with plug-ins that might get me 60% there. That is why the tools I choose are so indispensable.
I rely on good players, good instruments and Mojave Audio front end gear to do the job properly.
Acoustic music is so easy to sour with the overuse of modern tools and techniques. I rely on good players, good instruments and Mojave Audio front end gear to do the job properly. The rest is up to me to mix well enough to please the pickiest musician.”
– Randy Kohrs